alternate cover can be found here Sumire is in love with a woman seventeen years her senior. But whereas Miu is glamorous and successful, Sumire is an aspiring writer who dresses in an oversized second-hand coat and heavy boots like a character in a Kerouac novel. Sumire spends hours on the phone talking to her best friend K about the big questions in life: what is sexual desire, and should she ever tell Miu how she feels for her? Meanwhile K wonders whether he should confess his own unrequited love for Sumire. Then, a desperate Miu calls from a small Greek island: Sumire has mysteriously vanished...

You may never stop loving the one you lost. But you can still find love again. Kate is a bit of a mess. Two years after losing her young husband Cameron, she’s grieving, solo parenting, working like mad at her university fundraising job, always dropping the ball—and yet clinging to her sense of humor. Lurching from one comedic crisis to the next, she also navigates an overbearing mom and a Tinder-obsessed best friend who's determined to matchmake Kate with her hot new neighbor. When an in-flight problem leaves Kate and her boss, Hugh, stranded for a weekend on the east coast of Australia, she finally has a chance, away from her son, to really process her grief and see what’s right in front of her. Can she let go of the love of her life and risk her heart a second time? When it becomes clear that Hugh is hiding a secret, Kate turns to the trail of scribbled notes she once used to hold her life together. The first note captured her heart. Will the last note set it free? The Last Love Note will make listeners laugh, cry, and renew their faith in the resilience of the human heart—and in love itself.

Award-winning author Mary Otis of Yes, Yes, Cherries (“Funny, brave, and amazing” —Lorrie Moore) delivers an arresting debut novel that explores the relationship complexities between mothers and daughters, the desire to escape, and the longing to connect. Burst is a powerful story about how we become—and unbecome—our mothers, how we absorb the past, and how we burst into our own futures. Viva has always found ways to manage her mother’s impulsive, eccentric, and addictive personality. She’s had to—for her entire life, it has always been Viva and Charlotte against the world. After accidentally discovering an innate ability for dance, Viva chases her new passion with the same fervor with which her mother chases the bottle. Over the years, Viva’s talent becomes a ticket to a life of her own, and as she moves further away from home to pursue her dream, Charlotte struggles to make peace with her own past as a failed artist and the effects of her addiction. When tragedy strikes, Viva begins a downward spiral and must decide whether she will repeat her mother’s mistakes or finally take control of her life. Told from interwoven perspectives with lyrical writing as deft as a choreographed dance, Burst excavates a mother-daughter relationship to reveal its gorgeous beating heart.

When Rin aced the Keju — the Empire-wide test to find the most talented youth to learn at the Academies — it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard — the most elite military school in Nikan — was even more surprising. But surprises aren’t always good. Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power — an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive — and that mastering control over those powers could mean more than just surviving school. For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away. Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity ... and that it may already be too late.

S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta. This is my last love letter to you, though some would call it a confession. . . Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

An orphaned fortune teller in 18th-century England searches for answers about her long-dead mother and uncovers shocking secrets in this immersive and atmospheric saga perfect for fans of Sarah Waters and Sarah Perry. Cornwall, 1730: A young girl known only as Red travels with her father making a living predicting fortunes using the ancient Cornish method of the Square of Sevens. Shortly before he dies, her father entrusts Red’s care to a gentleman scholar, along with a document containing the secret of the Square of Sevens technique. Raised as a lady amidst the Georgian splendor of Bath, Red’s fortune-telling delights in high society. But she cannot ignore the questions that gnaw at her soul: who was her mother? How did she die? And who are the mysterious enemies her father was always terrified would find him? The pursuit of these mysteries takes her from Cornwall and Bath to London and Devon, from the rough ribaldry of the Bartholomew Fair to the grand houses of two of the most powerful families in England. And while Red’s quest brings her the possibility of great reward, it also leads to grave danger. Laura Shepherd-Robinson, “the queen of modern Georgian literature” (Susan Stokes-Chapman, author of Pandora), has written a dazzling and Dickensian story of mystery and intrigue, with audacious twists and turns.

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.