skelich commented on skelich's review of Check, Please! Book 1: #Hockey (Check, Please!, #1-2)
getting these published copies was the best decision I've ever made <3 now I can return to these sweet dumbasses whenever I want. I read this webcomic about these college kids through middle and highschool and now i've been through two uni degrees myself đđ time flies
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White Nights
Fyodor Dostoevsky
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One's Company
Ashley Hutson
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Hot Girls with Balls
Benedict Nguyá» n
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Hot Girls with Balls
Benedict Nguyá» n
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As youâve likely noticed thereâs a lot of YA/Adult Novels & Novellas included in this quest and a few outliers here and there. I want to discuss what kind of books you want to see in the future. Keep in mind there will be no more than 100 books added to this quest in the totality of itâs existence (weâll be working our way up to there starting at 40 books and adding an average of 5 books every 3 months (ideally)) Hereâs whatâs up for discussion:
Horror Erotica: Do you want to see it in the quest? It would certainly open up our horizons and options more but if no one wants any, it doesnât have to be included. We already have a few horror romance options in the quest so I donât think it would be a big deal to add horror erotica but I know those books can be a little harder to come by. I was thinking of adding somewhere between 1-5 in the mix.
Horror Manga: As you can likely tell, I havenât included any quite yet but I wanted to see if anyone has any explicit interest in it. An example would be The Summer Hikaru Died, Vol 1 in which I would only add the first volume because thereâs no need to flood the quest with one manga series. I was thinking somewhere around 3-5.
Horror Graphic Novels & Comics: I will be including Graphic Novels in this quest but I wanted to discuss if we also wanted horror comics including: An example would be House of Slaughter, Vol. 1: The Butcherâs Mark. I also wanted to discuss how many GNs we would like to see in this quest. I was thinking, eventually, around 15 GNs and/or comics in the mix but that benchmark could be moved up or done depending on feedback.
Middle Grade/Childrenâs Horror: Do we want to see more of it? I know thereâs already a LGBTQ+ Middle Grade quest so there could be a small bit of overlap but thatâs not necessarily a bad thing.
Please feel free to discuss anything else you might want to see more/less of in this quest. Iâm very passionate about this quest but Iâll always want some sort of input from yâall. Thank you in advance for sharing your opinions with me. đ«¶đœ
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The Infinite Sadness of Small Appliances
Glenn Dixon
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Anyone
Charles Soule
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Elegy for the Undead
Matthew Vesely
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Classic Literature from the United States đșđžđđ„§
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A collection of the most influential works in literature from the United States.
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Leaves of Grass
Walt Whitman
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The Name of the Rose
Umberto Eco
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Heavy Metal Lover
Isa Agajanian
skelich commented on ruiconteur's review of A Psalm for the Wild-Built (Monk & Robot, #1)
âa monk runs away from civilisation because theyâre having an existential crisis and ends up having philosophical conversations about the meaning of existence with a robotâ is an interesting premise for a quick and comforting read, except that this comfort falls apart pretty much entirely when you take a closer look at the world in which itâs set.
first, the easy part. this world is meant to be very eco-friendly, a result of the destructive factory age and the oh-so-mysterious transition which is never explained. weâre just meant to accept that there was a huge catalyst one day that caused humanity to restrict themselves to âfifty percent of pangaâs single continentâ and leave the rest to nature. however, nature still bears the marks of historical destruction: crickets are almost nearly extinct, but it doesnât seem to have any effect on the ecosystem and seems to mainly serve as a trigger for dex realising their discontent with their life.
weâre also meant to accept that humanity somehow is capable of survival while âbarely touch[ing the ocean] at all,â which is wild to me. do seafaring peoples just not exist? or peoples who live by the sea and depend on it for survival? what about salt? surely they donât just get salt from salt-mines and mineral springs. they clearly eat fish, because itâs mentioned 11 times in the novella, so they must get some of that from the sea as well, no? i donât think chambers thought this through very well.
and that lack of (meaningful) consideration forms a pattern in this novella! itâs very telling that chambersâ idea of a utopia is a planet on which there exists only one culture, only one language, only one religionâalbeit with sects, but the former two have no variants to speak ofâand seemingly no disabled people, because of course a utopia canât have disabled people if it wants to be a utopia. the only diversity present appears to be the existence of queer people, which is an extremely low bar in my opinion. itâs incredibly uncanny to read about a world that is so bland.
also, there is absolutely no suspension of disbelief great enough to make me believe that no cultural, linguistic, or religious diversity exists on an entire planet, or continent, or even an entire country. scholars speak of chinese folk religion as various syncretisations of multiple faiths, belief systems, and religious practices for a reasonâitâs because a single chinese religion doesnât exist; similarly, ancient greek religion is best understood not as a single coherent system of religion, but as a network of beliefs and practices, formalised in cults.
the lack of linguistic diversity is just as bewildering. there are hundreds of chinese topolects alone, let alone the numerous regional forms a single topolect can take, as well as the hundreds of other languages outside china. it is incomprehensible to me that every single person in this world speaks the exact same language. this is especially true in the robots, who have not interacted with humanity for centuries and yet speak with the same pronunciation, register, and vocabulary. languages change and evolve with their speakers, particularly over the course of centuries; the great vowel shift took place centuries ago, if you need a benchmark for that. by all rights, mosscap should be speaking the equivalent of early modern english to dexâs modern english, and why does a robot speak exactly like a human anyway? they arenât human. they should have their own figures of speech and robot-specific vocabulary and such. language and culture are interconnected, and robot culture is most certainly very different from human culture, even if we assume that there is only one.
furthermore, the very notion of there only being a single language or culture (or, yes, religion) is very much linked to colonialism. colonisers impose their language and culture upon the colonised because they believe they are inherently superior; thatâs how you get multicultural nations like my own whose lingua franca is not a pidgin language as the original lingua franca was, but a pre-existing tongue (thanks britain!). this imposition in turn leads to the marginalisation of other languages, which results in their speakers decreasing in number due to the pressure to learn and prioritise the âsuperiorâ languageâdue to education primarily being in that language, to the lack of (well-paying) job opportunities for non-speakers, and suchâand therefore furthering their marginalisation. itâs a whole vicious cycle, see? and eventually, thatâs how you get endangered languages and language death, and the loss of cultures in turn because again, language and culture are intrinsically interconnected. so much for a comfort read.
the lack of cultures beside the vaguely western-inspired one is also detrimental to dexâs journey. the premise is predicated on the fact that dex drops all their duties to become a tea monk, but weâre not told anything about how it happens, because tea service apparently only requires that the monk figure out their patronâs tastes, blend tea according to them, and offer sympathy when they unload their troubles on the monk. yet if chambers had thought to do a little research into the art of tea preparation, she would have found immense fields of study relating to every little step of the process, including the kind of water that should be used to brew high-quality tea. iâm only familiar with chinese tea culture, but i can assure you that there are multiple steps to brewing tea, with variants depending on the type of tea being brewed and the number of guests being served, and the process itself both enhances the teaâs fragrance and can be very soothing for everyone involved. itâs all about the sense of ceremony, the comfort of ritual, and the meaning implied in each step, and itâs an absolute shame that chambers didnât think to consider including something similar.
anyway, i donât even know where iâm going with this review at this point, except that i guess iâm just really disappointed that a book with such potential to be a comfort read ended up being so profoundly disappointing.
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The Sweet and the Bitter: Death and Dying in J. R. R. Tolkien's The Lord of the Rings
Amy Amendt-Raduege
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The Shipwright and the Shroudweaver
Rafael Torrubia
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Mask & Strap
Kat Blackthorne
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Jane Austen's Bookshelf: A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend
Rebecca Romney