A trained chef teaches you how to keep yourself fed in the face of stress, burnout, and exhaustion—and have fun doing it.Delivery is expensive. Eating a spoonful of peanut butter is depressing. You can’t imagine having the energy to chop an onion. But somehow, you gotta eat. How does anyone feed themselves under these conditions?Enter You Gotta Eat, a friendly, accessible resource for getting something on your plate when you have too much on your plate. Part cookbook, part pep talk, and part action plan, You Gotta Eat offers tips and tactics—plus ten "do exactly this" recipes—for making effortless food that’s nourishing, tasty, and even a little fun. Choose your current energy level and learn important kitchen If you can open a Turn instant ramen into a feastIf you can assemble a Make a cheese board fit for a kingIf you can press a Whip up perfect eggs in the microwaveIf you can wield a Turn any leftovers into a hearty casseroleAnd dozens more ideas for living deliciously without impossible effort!Whether you’re burnt out, depressed, overworked, a new parent, living away from home for the first time, or some combination of the above, let food editor, classically-trained chef, and nacho enthusiast Margaret Eby show you how to make your eating experience better—and easier—in every way.

Sorry I haven't texted you back,  ( I've been anxious and depressed)  I haven't had time to catch my breath, you know how life gets. Returning to the form of  Stuff I've Been Feeling Lately ,  Sorry I Haven't Texted You Back  is a poetic mixtape dedicated to those who struggle or have struggled with their mental health. Divided into two parts, "Side A" holds 92 poems, titled as "tracks," and "Side B" holds the "remixes," or blackout-poetry versions, of  those 92 poems. The book includes the evergreen themes of love, grief, and hope. Named after Cook's viral Instagram poem,  Sorry I Haven't Texted You Back lands in the crossroads of self-help and poetry.

After a holiday accident that nearly kills her, 32-year old Emily and her husband Freddie move from London into Larkin Lodge, a beautiful country house on remote Dartmoor, far away from their lives and friends in London. It should help heal her and be a wonderful fresh start but soon after moving in, Emily starts to feel that there's something wrong. There's a terrible presence emanating from the room on the third floor. While Freddie doesn't sense anything wrong, Emily can't bear to even step across the threshold, and as the darkness she feels in the room upstairs spreads like mould further into the building, and strange occurrences start happening, Emily becomes convinced that someone was murdered in the house and is now haunting it.But there are no records of any one ever dying in the property, not even old in their beds. In fact, it's been a happy home for all who've lived here. Except, it seems, for them. Ever since they moved into the house, their marriage has started to crumble. There's a sense of distrust. With Freddie growing distant and irritable and dismissing her concerns about the house as part of her post-sepsis syndrome, and with cracks in their relationship building with each day, Emily starts doing some digging into the secrets of Larkin Lodge and the locals who've lived there.But how can she solve a murder that never happened? And can she solve it in time to prevent another?What if you could have the best of the person you once fell in love with, and all it took was one little murder - a murder no one could ever know took place?Would you do it?If so, then Larkin Lodge will be happy to help.