The inside story of the largest law-enforcement sting operation ever, in which the FBI made its own tech start-up to wiretap the world, shows how cunning both the authorities and drug traffickers have become, with privacy implications for everyone. In 2018, a powerful app for secure communications called Anom took root among organized criminals. They believed Anom allowed them to conduct business in the shadows. Except for one thing: it was secretly run by the FBI. Backdoor access to Anom and a series of related investigations granted American, Australian, and European authorities a front-row seat to the underworld. Tens of thousands of criminals worldwide appeared in full view of the same agents they were trying to evade. International smugglers. Money launderers. Hitmen. A sprawling global economy as efficient and interconnected as the legal one. Officers watched drug shipments and murder plots unfold, making arrests without blowing their cover. But, as the FBI started to lose control of Anom, did the agency go too far? A painstakingly investigated exposé, Dark Wire reveals the true scale and stakes of this unprecedented operation through the agents and crooks who were there. This fly-on-the-wall thriller is a caper for our modern world, where no one can be sure who is listening in.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

U.S. Air Force commander Aaron Petrowski leads pararescue teams, yet can't find one nanny for his three-year-old twins? The widowed father is returning to duty, but not without the best care for his beloved boys. So when Sarah Graham applies, the young woman surprises everyone by passing inspection. Until Aaron discovers Sarah has a secret tied to a tragedy in his past. He can't keep her in his employ—or in his heart. Until his brave little soldier boys teach him a thing or two about love.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying taxes on them, and to use these 'souls' as collateral to re-invent himself as a gentleman. In this ebullient masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov, and, above all, the devilish con man Chichikov. Dead Souls, Russia's first major novel, is one of the most unusual works of nineteenth-century fiction and a devastating satire on social hypocrisy. In his introduction to this new translation, Robert A. Maguire discusses Gogol's life and literary career, his depiction of Russian society, and the language and narrative techniques employed in Dead Souls. This edition also includes a chronology, further reading, appendices, a glossary, map and notes.