In the late 1800s, three sisters use witchcraft to change the course of history in Alix E. Harrow's powerful novel of magic and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters -- James Juniper, Agnes Amaranth, and Beatrice Belladonna -- join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote -- and perhaps not even to live -- the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, sapphic love, motherhood, and women's suffrage--the lost ways are calling.

It’s off to the races in the explosive eighth book in the Dungeon Crawler Carl series. As chaos and mass panic spread outside the dungeon in the wake of Faction Wars, Carl and Donut find themselves on the tenth floor, where they’re forced to compete in a surprisingly normal set of tasks. Well, normal for the dungeon. Races. Get from point A to point B, and don’t come in last. After each race, they pick an upgrade for their vehicle and the track gets more challenging. It all seems a little too normal, a little too simple. Ignore those strange glitches that are occurring with increasing frequency. Don’t listen to those whispers about what’s happening on the mysterious eleventh floor, something the system AI calls A Parade of Horribles. Nobody, not even the showrunners, knows what that means. Just that the AI has ominously dubbed it “a coming-out party for the ages.” Everything is fine, Crawler. I repeat, everything is fine. Carl hates that it’s business as usual. The rules of this floor have taken away his agency. That just will not do. So Carl is planning a party of his own. It’s a plan so dangerous, so insane, he can’t even consult his friends lest the AI put a stop to it. Because if it goes wrong, it’s not just the end of Carl and Donut. No. The stakes are higher than they’ve ever been.

A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality With a foreword by Thomas Pynchon With a foreword by Thomas Pynchon A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching View our feature on George Orwell s 1984 Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality This beautiful paperback edition features deckled edges and french flaps a perfect gift for any occasion Alternate cover edition can be found here.

Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

The third magical adventure in the "Spellshop" series. Marin has always belonged on the great blue sea. Betrayed by love, she lives and works as a supply runner, sailing from island to island, delivering an array of goods with Perri the sea serpent and Ree the sailor shrub as her crew. On one of her routine trips to the capital, Alyssium, Marin finds a revolution underway—and her friend Dax in the line of fire. What starts as a rescue evolves into a deal: Marin will keep Dax on as a member of her crew if he pretends to be her boyfriend at the End-of-Harvest Festival back home. But against her better judgment, Marin finds herself intrigued by his stubbornness, his passion for stories, his charming smile—and realizes that perhaps she isn’t saving him. Maybe it’s the other way around. Sea of Charms is a cozy fantasy romance about finding your crew, your family, and moreover, finding yourself.

A fierce, funny, and revolutionary look at the queens of the animal kingdom. Studying zoology made Lucy Cooke feel like a sad freak. Not because she loved spiders or would root around in animal feces: all her friends shared the same curious kinks. The problem was her sex. Being female meant she was, by nature, a loser. Since Charles Darwin, evolutionary biologists have been convinced that the males of the animal kingdom are the interesting ones—dominating and promiscuous, while females are dull, passive, and devoted. In Bitch, Cooke tells a new story. Whether investigating same-sex female albatross couples that raise chicks, murderous mother meerkats, or the titanic battle of the sexes waged by ducks, Cooke shows us a new evolutionary biology, one where females can be as dynamic as any male. This isn't your grandfather's evolutionary biology. It's more inclusive, truer to life, and, simply, more fun.

One queen exiled. Another headed for the gallows. Both hungry for revenge. England’s most infamous queens set out to reclaim their story and unite in vengeance against Henry VIII. Anne Boleyn is going to die, and neither her cleverness nor her witchery can save her. So when her late rival, Catalina de Aragón, miraculously appears in her cell at the Tower of London on the eve of her execution, very much alive and offering a daring escape plan, no one is more surprised than Anne. Lina doesn’t have Anne’s magic—but she has just as much hate for England’s wretched king. Severed from her daughter and stripped of all her influence, Lina breathes only for the Hellebore Sisterhood, a clandestine and powerful society with a vested interest in keeping both queens alive…and using their particular skills to advance womankind. Anne and Lina’s old rivalries pale in comparison to a common enemy. One by one, they capture their pawns, infiltrating the court, recruiting the new queens in Henry’s orbit, and eliminating the men who plotted against them. Always inching closer to their true target… And they want his head.