The King's Circus has never visited my village, until now. I just wish I'd stayed home. When dragons appear and commit unspeakable acts, I should be dead. Instead, I'm pulled into a centuries-old rebellion by Fenric, who insists I'm the key to ending an immortal king's reign. There's just one I'm nobody. A miner from Xardon who spent six years hauling shadowstone and keeping my head down. Except in the fae realm, my blood does things it shouldn't, and the prophecy everyone keeps referencing says I'm something I can't possibly be. The worst part? I'm stuck with Cairos—an arrogant, cocky dragon-shifter with centuries of murder in his past and an infuriating smirk that makes me want to strangle him. He's complicit in the very atrocities I'm trying to stop, and I should hate him. So why do I feel so inexplicably drawn to him? To protect my family and stop the cycle of death, I'll have to trust a monster, uncover what I really am, and get close enough to a king to destroy him. But the closer I get to the truth, the more I Everything I thought I knew about myself was a lie.What you'll find Dragon-shiftersFaeEnemies-to-LoversForced ProximityMorally Gray MMC"Who did this to you?"Perfect for fans of From Blood and Ash and A Deal with the Elf King, this enemies-to-lovers romantasy features dragon-shifters, deadly prophecies, and a heroine who discovers she's something she never could've imagined.

Welcome to the family. Hannah thought she’d found her happily ever after. Marrying Ethan, the man of her dreams, felt like the start of a perfect new life. But with Ethan came his family, and with his family came Margaret. She welcomes Hannah with warmth, insisting she sees in her not just a daughter-in-law, but the daughter she never had. Yet as the honeymoon bliss fades, Margaret’s affection unfurls into something much darker. Ethan, ever the devoted son, remains disarmingly blind to his mother’s covert manipulations. He insists Margaret means well, attributing her intrusions to love and concern. But Hannah feels a different truth in her bones. Hannah is forced to confront a chilling realization. She thought she had married the man of her dreams, only to discover that she’s also bound to the mother of her worst nightmares…

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

The gods are dead. All that’s left are the Players… The performers of the Playhouse are as worshipped as they are feared, their enchanting shows bending hearts, minds, and even reality itself. Vicious, godlike, lethal. Eighteen-year-old Riven Hesper knows the dangers better than anyone, after her own encounter with a Player resulted in a curse that is slowly killing her. When the Playhouse announces the spectacle of a lifetime—a chance for one mortal to steal a Player’s immortality—Riven sees her last chance to live. Desperate for answers, she infiltrates the competition. There, she finds Jude, the Playhouse’s brilliant, merciless Lead Player, whose charm is as dangerous as his Craft, and strikes a deadly bargain to save her life. But with time running out and the Playhouse’s secrets unraveling into a disturbing picture, Riven faces a grim possibility: she might not be the hero of her story after all. In fact, she may be the villain. Because the Playhouse doesn’t just tell stories. It rewrites them. And Riven’s might end in blood. Caraval meets One Dark Window in this lush and dark fantasy.

Orelia is forced to hide in the shadows and watch as her brother is murdered. If she reveals herself, she’ll be killed too. With her brother’s death replaying over and over in her mind, she makes a promise to herself that she’ll avenge him. She’ll find the person who ordered their deaths and make them pay. Luckily for her, Orelia knows just who to blame. “I’m coming for you, King Donovan.” Donovan is feeling the pressure to marry and produce an heir to secure his throne, especially since a rebel group in his kingdom is gaining momentum and causing him more problems. But when a small, feisty female shows up and threatens to kill him, his problems seem much smaller in comparison to the baggage she brings with her. Can he convince her that he has nothing to do with her brothers death and help her find the real culprit? With enemies suddenly trying to kill them both, will their budding feelings be allowed to grow, or will they be torn apart by forces trying to destroy them?

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!