THE HIGHLY ANTICIPATED SEQUEL TO BIG LITTLE LIES, THE #1 NEW YORK TIMES BESTSELLER THAT INSPIRED THE MEGAHIT HBO SERIES In her first-ever sequel, Liane Moriarty examines the complexities of modern women’s lives, shining light on shame and family secrets with wit and compassion. Whether you’ve read Big Little Lies or not, this is the perfect novel for longtime fans and new readers alike. The last time we saw the women of Big Little Lies—Madeline, Celeste, Jane, Renata, and Bonnie—their children were five years old. If someone wasn’t invited to a child’s birthday party, feelings were hurt. But ten years have passed, and the kids are now in high school, with all of the drama that accompanies teendom (goodbye playdates, hello drugs, sex, and alcohol). Now, after the principal of the high school receives a severed human finger in the mail, the parents are in an uproar. But Madeline, Celeste, Jane, Renata, and Bonnie have other things to worry about. Celeste’s mother-in-law, Mary Louise, is behaving oddly—is it old-age forgetfulness and forthrightness, or something more sinister? Madeline is facing perhaps the biggest challenge of her life, Jane is at a dangerous fork in her marriage, Bonnie has realized there’s only so much solace in yoga. And Renata? Renata is living her best life—revenge is sweet. When a strange man begins lurking around the school asking supposedly innocent questions, this tightly connected group of women must finally face the full repercussions of the big little truths they have and haven’t shared with their kids. Because the stakes are now much higher than not being invited to an ice-skating show—and the ice has never been thinner for any of them.

‘a furious take on housing inequality’—The Australian, ‘the big books of 2026’Your dream home awaits – there’s only two things in your way…The great Australian dream is slipping out of reach for Keira and her friends. No partner, no house, no kids. At 30-ahem, she is still languishing in a mould-filled share house, with an unexplained and ever-growing hole in the floorboards that threatens to consume her and her housemates.Her part-time job as a nanny to a pair of atrocious twins – and her role as emotional support servant at the beck and call of their mother, Johanna – provides barely enough money for the G&Ts she finds necessary to get through her other job as a freelance copywriter – though it does allow her to steal a fancy avocado every now and then. Each day she can feel herself falling further and further behind.When her best friend Dylan is able to buy an apartment with the help of his partner’s inheritance, Keira sees a way out. The bank of Mum and Dad. But what to do with parents who are in the rudest of health, and whose plans threaten to spend the only lifeline she has? From the lounge room of her rotting share house she hatches a deadly plan to speed up the process of wealth transfer.An audacious book that asks just how far you will go to get your dream house (or at least a one bedroom flat without mushrooms growing in the bathroom).PRAISE FOR KILL YOUR BOOMERS‘When parental money becomes a looming solution, desperation sharpens into something darker – and all too recognisably millennial.’—The Sydney Morning Herald, Books to look forward to in 2026‘The gloriously vicious revenge plot “The Great Australian Dream” deserves. A devastating portrait of precarity. Funny, harsh, and sharp in all the right places. A book for the one-third of the population who've been kicked while they're down with a rent increase. A book for a well-meaning middle-class book club to fight over. A beautiful book. Another Wright success.’ —Bri Lee, author of Seed ‘This is a dark, hilarious and urgent book about a younger generation being locked out of the housing market and all the boomers who still think it's because they spend too much on avocado on toast.’ —Felicity Castagna, author of No More Boats

From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.