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marshmallowgirl

šŸ§øšŸŒ·ā˜ļøā˜€ļøšŸ«‚šŸŒæ big softie, mostly made of fluff Ė– ⟔ fantasy, art, plants, collective care, radical imagination Ė– ⟔ slow reader new to the hobby. let’s be friends! (ā—ļ½„ā—”ļ½„ā—)ā™” she/her ⋆.˚⊹ ࣪ Ė–

1202 points

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Cherry Blossom Festival 2026Mardi Gras + Carnival 2026Level 4
My Taste
Hemlock & Silver
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants
The Spellshop
The Dawn of Yangchen (The Yangchen Novels, #1)
Reading...
Uprooted
34%
Legendborn
37%
Mutual Aid: Building Solidarity During This Crisis (and the Next)
99%
The Teller of Small Fortunes
67%

marshmallowgirl is interested in reading...

20h
Blood of Silver

Blood of Silver

Allie Nguyen

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marshmallowgirl commented on Kaiun's update

Kaiun is interested in reading...

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Blood of Silver

Blood of Silver

Allie Nguyen

2
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marshmallowgirl commented on Kaiun's update

Kaiun finished a book

5d
Roll for Love

Roll for Love

M.K. England

3
3
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Level 11

Level 11

22000 points

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marshmallowgirl commented on leitmotif's review of I Eat the Stars: How to Live Fully and Beautifully in a Collapsing World

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  • I Eat the Stars: How to Live Fully and Beautifully in a Collapsing World
    leitmotif
    Jul 29, 2026
    I Eat the Stars: How to Live Fully and Beautifully in a Collapsing World
    3.0
    Enjoyment: 3.0Quality: 3.0Characters: Plot:
    šŸŒŽ
    šŸŒ€
    ā˜„ļø

    3.25 🌟

    This is a hard one to rate. Ā Wilson shares an accessible conversational piece about what is like to be living in a world confronting systemic collapse. Ā This weight of despair can cause hopelessness but through personal stories and research, hope and radical acceptance can emerge. Ā However, I wanted more depth in the research and an exploration of collective action/community compared to individualistic mindsets. Ā 

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  • marshmallowgirl made progress on...

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    Uprooted

    Uprooted

    Naomi Novik

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    Legendborn

    Legendborn

    Tracy Deonn

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    Legendborn

    Legendborn

    Tracy Deonn

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    marshmallowgirl commented on marshmallowgirl's update

    marshmallowgirl finished a book

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    A Witch's Guide to Magical Innkeeping

    A Witch's Guide to Magical Innkeeping

    Sangu Mandanna

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    marshmallowgirl finished a book

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    A Witch's Guide to Magical Innkeeping

    A Witch's Guide to Magical Innkeeping

    Sangu Mandanna

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    marshmallowgirl commented on Bulle's update

    marshmallowgirl TBR'd a book

    11w
    The Art of Gathering: How We Meet and Why It Matters

    The Art of Gathering: How We Meet and Why It Matters

    Priya Parker

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    marshmallowgirl commented on yourartistfriend's update

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    The Art of Gathering: How We Meet and Why It Matters

    The Art of Gathering: How We Meet and Why It Matters

    Priya Parker

    32
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  • The Angel of Khan el-Khalili
    Musings on "truth"
    spoilers

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    11
    comments 1
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  • marshmallowgirl commented on a post

    11w
  • The Angel of Khan el-Khalili
    Thoughts from 85%
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  • marshmallowgirl commented on a post

    11w
  • The Angel of Khan el-Khalili
    Thoughts from 25% (page 4)

    "In these modern times, every home in Cairo should enjoy the convenience of a boilerplate eunuch." His arms gesture about the room, where faceless metal automatons shaped in the likeness of men stand motionless, reminiscent of soldiers awaiting inspection--or corpses arrayed in their tomb.

    Ā· Ā· ─ ·✶· ─ Ā· Ā·

    The juxtaposition of the mender's words, amiable and speaking of convenience, speaking about these metal and clockwork similes of people to be used as commonplace household servants is so interesting combined with the further descriptions of them. They're already said to somewhat resemble humans, which is itself a little disconcerting, but when humanizing them a bit more by calling them soldiers or corpses, it causes more discomfort, both because of having the comparison at all, and because of these two specific comparisons. In both instances, much or all autonomy is taken away from people. Soldiers are trained to listen, act, obey. Thinking is looked down on, even treasonous. Picturing them standing awaiting inspection, standing all in a row, made as similar as possible, dehumanizes them and pushes them closer to being automatons. Deviations from the standard, the expectations, are punished.

    The blending of human and machine in these boilerplate eunuchs and in this quote seem to conflict or contrast with each other. How could we not see the automatons as being closer to people, when it's human nature to find humanistic qualities in "the other," like we do with animals? The fact that animals have personalities and feelings and communities and even funerals without us needing to attribute them doesn't negate our empathy. Metal doesn't have feelings. Gears don't. But putting them all together in a shape similar to our own, giving them faces similar to our own, infusing them with something in this world of magic that makes it possible for them to interact with us--how is it possible for us to interact with them and not see something more than a moving configuration of metal and metallic parts? I find it interesting how dismissive this merchant/mender seems to be of them as entities while extolling their usefulness as tools, also while the author lays out comparisons that make us feel they may be something more.

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