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The Art of Gathering: How We Meet and Why It Matters
Priya Parker
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The Art of Gathering: How We Meet and Why It Matters
Priya Parker
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Post from the The Angel of Khan el-Khalili (Dead Djinn Universe, #0.2) forum
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"In these modern times, every home in Cairo should enjoy the convenience of a boilerplate eunuch." His arms gesture about the room, where faceless metal automatons shaped in the likeness of men stand motionless, reminiscent of soldiers awaiting inspection--or corpses arrayed in their tomb.
· · ─ ·✶· ─ · ·
The juxtaposition of the mender's words, amiable and speaking of convenience, speaking about these metal and clockwork similes of people to be used as commonplace household servants is so interesting combined with the further descriptions of them. They're already said to somewhat resemble humans, which is itself a little disconcerting, but when humanizing them a bit more by calling them soldiers or corpses, it causes more discomfort, both because of having the comparison at all, and because of these two specific comparisons. In both instances, much or all autonomy is taken away from people. Soldiers are trained to listen, act, obey. Thinking is looked down on, even treasonous. Picturing them standing awaiting inspection, standing all in a row, made as similar as possible, dehumanizes them and pushes them closer to being automatons. Deviations from the standard, the expectations, are punished.
The blending of human and machine in these boilerplate eunuchs and in this quote seem to conflict or contrast with each other. How could we not see the automatons as being closer to people, when it's human nature to find humanistic qualities in "the other," like we do with animals? The fact that animals have personalities and feelings and communities and even funerals without us needing to attribute them doesn't negate our empathy. Metal doesn't have feelings. Gears don't. But putting them all together in a shape similar to our own, giving them faces similar to our own, infusing them with something in this world of magic that makes it possible for them to interact with us--how is it possible for us to interact with them and not see something more than a moving configuration of metal and metallic parts? I find it interesting how dismissive this merchant/mender seems to be of them as entities while extolling their usefulness as tools, also while the author lays out comparisons that make us feel they may be something more.
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The Angel of Khan el-Khalili (Dead Djinn Universe, #0.2)
P. Djèlí Clark
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A Dead Djinn in Cairo (Dead Djinn Universe, #0.1)
P. Djèlí Clark
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Field Guide for the Formerly Villainous
Autumn K. England
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this is so hard to read if youre not a native english speaker, its full of rare words and even of foreign and archaic ones 🥲 its so frustrating and humbling
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Feminism Without Exception
Silver: Finished 10 Main Quest books.
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Field Guide for the Formerly Villainous
Autumn K. England
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What a great cozy read. While the story has a warm and comforting atmosphere, it also touches on some heavier topics, including past trauma and anxiety/panic attacks, so definitely keep that in mind going in.
The author does a wonderful job portraying the characters’ journeys through their pasts and what it means to move forward and start over. Life on a farm can be lonely and difficult, but this story really emphasizes the importance of community, support, and helping your neighbors.
The characters felt relatable and genuinely written, and their interactions and struggles never felt forced. I also really enjoyed the worldbuilding—it was interesting and naturally woven into the story without ever feeling like an exposition dump.
Toward the end, parts of Oaklin’s struggle did feel a bit repetitive. At the same time, it felt like a very realistic portrayal of trauma and healing. I think we’re just so used to stories having a more expedited healing arc that the pacing caught me off guard a little. It wasn’t poorly done by any means, just different from what I expected.
If you’re a fan of Stardew Valley and want a story about second chances, recovery, and finding community, this is absolutely the book for you.
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Wordslut: A Feminist Guide to Taking Back the English Language
Amanda Montell