In this addictive new fantasy series set in a world where magic is fueled by pleasure and pain, an obsessive detective infiltrates a brutal gang of dark mages—knowing that one wrong move will get her killed. . . . “A dazzling (and frequently sizzling) new fantasy.” —Kiersten White, #1 New York Times bestselling author of Lucy Undying Two decades ago, the Bloodmoons ruthlessly murdered Saffron Killoran’s parents, destroying her idyllic childhood. Hell-bent on revenge, she lies her way into Silvercloak Academy—the training ground for her city’s elite order of detectives—with a single goal: to bring the Bloodmoons to justice. But when Saff’s deception is exposed, rather than being cast out, she’s given a rare opportunity: to go undercover and tear the Bloodmoons down from the inside. Descending into a world where pleasure and pain are the most powerful currencies, Saff must commit some truly heinous deeds to keep her cover—and her life. Not only are there rival gangs and sinister smuggling rings to contend with, but there’s also her growing feelings for the kingpin’s tortured son, with his vicious pet fallowwolf, his dark past, and the curious prophecy foretelling his death at Saffron’s hand. With each day testing her loyalties further, Saff finds her web of lies becoming harder to spin. And when one false step could destroy everything and everyone she’s ever loved . . . the detective who’s dedicated her life to vengeance just might die for it. Book One of the Silvercloak Saga

Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy's clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both. But there is something within Dorothy that's different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority. A satire of early foodieism, a critique of how gender is defined, and a showcase of virtuoso storytelling, Chelsea G. Summers' A Certain Hunger introduces us to the food world's most charming psychopath and an exciting new voice in fiction.

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

‘A brilliant and challenging book’ GORDON BROWN From the founder of Britain’s leading antifascist organisation, HOPE not hate, this is an urgent call to resist the forces of extremism on the march in Western societies – and how to go about it. If you’re shocked and disconcerted by the rise of intolerance and hate, you’re not alone. Drawing from 35 years of campaigning and journalism, Nick Lowles shows how anti-immigration, antisemitic and Islamophobic attacks have proliferated in the modern world, and how Britain – with the likes of Tommy Robinson and the growth of Reform UK – has been far from immune from far-right politics. From HOPE not hate’s pioneering campaigns against the BNP in east London to the impact of the ‘manosphere’ and the issues in Netflix's Adolescence; from explorations of the pernicious influence of ‘race science’ and conspiracy theory to the interplay of deprivation and intolerance in Britain’s deindustrialised towns, Lowles entwines his inspirational story with hard-won lessons from decades of activism. His conclusions – which do not shy away from awkward truths for campaigners – suggest practical ways for the far right to be defeated. And he shares powerful examples – from a participant-led youth club in Hull to Syrian refugees connecting with local people over falafel in Bradford – of finding the joy in showing that, hard as it can seem, HOPE can triumph over hate.

What if your most beautiful love story turned into your biggest nightmare? An essential, universally resonant new memoir from the #1 bestselling author of Eat Pray Love and Big Magic. Twenty years ago, Elizabeth Gilbert’s Eat Pray Love inspired millions of readers to embark upon their own journeys of self-discovery. A decade later, Big Magic empowered countless others to live their most creative lives. Now comes another landmark book—about love and loss, addiction and recovery, grief and liberation. In 2000, a friend sent Liz to see a new hairdresser named Rayya Elias. An intense and unlikely curiosity sparked between these two apparent opposites: Rayya, an East Village badass who lived boldly on her own terms but feared she was a failed artist; Liz, a married people-pleaser with a surprisingly unfettered sense of creativity. Over the years, they became friends, then best friends, then inseparable. When tragedy entered their lives, the truth was finally laid bare: The two were in love. Unacknowledged: they were also a pair of addicts, on a collision course toward catastrophe. What if the love of your life—and the person you most trusted in the world—became a danger to your sanity and wellbeing? What if the dear friend who taught you so much about your self-destructive tendencies became the unstable partner with whom you disastrously reenacted every one of them? And what if your most devastating heartbreak opened a pathway to your greatest awakening? All the Way to the River is for everyone who has ever been captive to love – or to any other passion, substance, or craving—and who yearns, at long last, for peace and freedom.

From the award-winning author of a “battle-cry of a book” (The Guardian) Rage Becomes Her, comes a fearless and timely manifesto for identifying and rejecting male supremacy in our daily lives. Drawing on her trademark skill, wit, clarity, and sharp insight, Soraya Chemaly walks us through how male supremacy operates, adapting dynamically in order to maintain cruel, exploitative systems of oppression. Male supremacy, she asserts, isn’t primarily about men dominating women; but rather a system that first and foremost violently pits men against each other using women and marginalized communities as resources in their competition for power. Under this system, anyone who isn’t white, straight, CIS, and adhering to strict rules of traditional masculinity is considered inferior and rendered “other”—women, LGBTQ+ people, people of color, immigrants, religious minorities, the disabled, and Black and Indigenous communities. Being feminized defines vulnerability, exploitability, and disposability. There is no justice for any community until we confront this defining injustice. Most men don’t have to benefit from this system or feel powerful for this system to work, indeed only a relatively few do. While women, particularly those with multiple marginalized identities, are hurt the most, men, too, need liberation from this oppressive system. All We Want Is Everything offers both unflinching analysis and genuine hope, informed by the bold and revolutionary potential of feminist imagination. From private relationships to global politics, Chemaly shows how naming and refusing male supremacy is essential to resisting the forces tearing democracy apart. This fresh, timely, clear-eyed, and necessary manifesto is a call to refuse supremacist identities, relationships, and values in order to build more just, healthy, and sustainable worlds for everyone.

One of the New Yorker 's Best Books of 2022 So Far and BuzzFeed 's Must-Read Summer Books For readers of Ottessa Moshfegh and Mona Awad, this fearless debut chronicles one woman’s escape into a world of obsessive imagination. Bonnie Lincoln just wants to be left alone. To come home from work, shut out the ghosts of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three’s Company . When Bonnie wins the lottery, a more grandiose vision―to completely shuck off her own troublesome identity―takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three’s Company and slip into the lives of its main characters: no-nonsense Janet Wood, pleasantly airheaded Chrissy Snow, and confident Jack Tripper. While her best friend, Krystal, tries to drag her back to her old life, Bonnie is determined to transcend pain, trauma, and the baggage of her past by immersing herself in the ultimate binge-watch.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.