On the orders of his boyhood friend, now King Philip of Macedon, Aristotle postpones his dreams of succeeding Plato as leader of the Academy in Athens and reluctantly arrives in the Macedonian capital of Pella to tutor the king’s adolescent sons. An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier.    Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny.   Aristotle struggles to match his ideas against the warrior culture that is Alexander’s birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy – thrown before his time onto his father’s battlefields – needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy’s will to conquer.   Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions.   As Alexander’s position as Philip’s heir strengthens and his victories on the battlefield mount, Aristotle’s attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant.   Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle’s genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.

Malavika Kannan establishes herself as the literary voice of Gen Z in this piercing coming-of-age narrative Which comes experience or narrative? Rishi thinks she knows the answer as she arrives on campus for her first year at Stanford. Her narrative is set—she’s going to leave behind the strict trappings of her Indian-American childhood in Florida, embrace her queer identity, experiment with love, and write all about it. Within a few months, she gets a new tattoo, makes her first real best friend, falls in love with her un-labeled situationship, and even gets her heart broken. Rishi’s first semester Asian American Autofiction final practically writes itself.What is not a part of Rishi’s plan, however, is the onset of the COVID pandemic. As the outside world becomes a terrifying place, she finds more and more solace in the friendships she’s made. In lieu of virtual college, Rishi and her classmates join a farm collective and grapple with America’s political situation and growing disillusionment…along with sexual tension and responsibility. It’s only when those relationships, too, start fracturing under the stress of careless decisions, unrequited crushes, jealousies, and, yes, the unprecedented times, that Rishi begins to question her own story.Unprecedented Times captures the beauty, frustration, love, and pain that exists in relationships between best friends, between lovers, between mothers and daughters, and between storytellers and themselves. Malavika Kannan’s fresh, arresting novel captures the excitement and the terror of modern young adulthood through the eyes of an unforgettable, flawed, and lovable narrator.

JADE CITY is a gripping Godfather-esque saga of intergenerational blood feuds, vicious politics, magic, and kungfu. The Kaul family is one of two crime syndicates that control the island of Kekon. It's the only place in the world that produces rare magical jade, which grants those with the right training and heritage superhuman abilities. The Green Bone clans of honorable jade-wearing warriors once protected the island from foreign invasion--but nowadays, in a bustling post-war metropolis full of fast cars and foreign money, Green Bone families like the Kauls are primarily involved in commerce, construction, and the everyday upkeep of the districts under their protection. When the simmering tension between the Kauls and their greatest rivals erupts into open violence in the streets, the outcome of this clan war will determine the fate of all Green Bones and the future of Kekon itself.

Jill Damatac blends memoir, food writing, and colonial history as she cooks her way through recipes from her native-born Philippines and shares stories of her undocumented family in America. After two decades of being undocumented in the US, surviving poverty, familial trauma, and violence, Damatac self-deported in 2015, starting over in the UK. There, she began to cook Filipino dishes in an act of self-recovery, hoping to understand her experiences as an undocumented immigrant. Starting over again in London, and then as a graduate student at Cambridge University, she asks questions of belonging, identity, selfhood, and survival in a memoir of emotional intelligence, clarity, and grace. RAVES AND REVIEWS: "Unblinking ... fierce...makes no effort to lull the reader into complicity...Damatac and her recipes are not here for your convenience..[they] serve as both escape and reminder, toggling between the ancient past of Indigenous myth, layers of colonial scarring, childhood, the present...This is not an easy memoir, nor should it be. Damatac writes, she says, 'to document myself into existence. And, as she says of some of her recipes, it will serve many." - The New York Times Book Review "Dirty Kitchen is not only an astonishing memoir—it is a bravura juggling act of genre, and a vivid testament to resilience. An absolute marvel." —Jose Antonio Vargas, Pulitzer Prize winner and bestselling author of Dear America: Notes of an Undocumented Citizen "Jill Damatac's fiery culinary memoir about growing up undocumented takes America to task...Dirty Kitchen is a fiercely honest, eye-opening view of one undocumented family's experiences trying to start over in a new world." —The San Francisco Chronicle “Part personal memoir, part cultural analysis, and all heart, Dirty Kitchen invites us into Jill Damatac's searing journey from decades of undocumented invisibility through the slow and recursive process of healing. Vulnerable and gripping, Damatac's debut explores what it means to reclaim one's life from the jaws of generational trauma and colonialism, while honoring the great ancestral gifts of Filipino heritage. Dirty Kitchen heralds the arrival of an unforgettable new talent.” —Qian Julie Wang, New York Times bestselling author of Beautiful Country “There's a blue fire to Jill Damatac's way with words. In Dirty Kitchen, history itself burns sapphire bright.” —Saeed Jones, author of Alive at the End of the World and How We Fight For Our Lives “Dirty Kitchen is a feast of many ingredients: at once a searing, heartfelt account of one undocumented family’s life, as well as a fierce, unflinching look at the indigenous and colonial history that seasons every meal. This is a book that knows that the root of the word ‘recipe’ is ‘to receive’—one that shows us, with profound resolve and tenderness, all the things we receive with every meal: every pleasure, every pain, every story, every ghost. A book to sate multiple hungers, that leaves its reader truly fed.” —Elaine Castillo, author of America Is Not The Heart “As nimble and bold as the dishes she describes, Jill Damatac confronts the intersectional cruelties of colonialism and patriarchy with an unflinching spirit. Damatac celebrates the resilience of Filipino food as an ingredient for healing passed down through the ancestors. Dirty Kitchen is a literary feast that sticks to your fingers like a sumptuous kamayan.” —Albert Samaha, author of Concepcion: Conquest, Colonialism, and an Immigrant Family’s Fate "Jill Damatac brings together myth and memory, history and hauntings, colonialism and catharsis and seats them around her table. Any reader of Dirty Kitchen is in for a feast when they pull up a chair." —Alejandra Oliva, author of Rivermouth: A Chronicle of Language, Faith and Migration

On the orders of his boyhood friend, now King Philip of Macedon, Aristotle postpones his dreams of succeeding Plato as leader of the Academy in Athens and reluctantly arrives in the Macedonian capital of Pella to tutor the king’s adolescent sons. An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier.    Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny.   Aristotle struggles to match his ideas against the warrior culture that is Alexander’s birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy – thrown before his time onto his father’s battlefields – needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy’s will to conquer.   Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions.   As Alexander’s position as Philip’s heir strengthens and his victories on the battlefield mount, Aristotle’s attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant.   Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle’s genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.

Jill Damatac blends memoir, food writing, and colonial history as she cooks her way through recipes from her native-born Philippines and shares stories of her undocumented family in America. After two decades of being undocumented in the US, surviving poverty, familial trauma, and violence, Damatac self-deported in 2015, starting over in the UK. There, she began to cook Filipino dishes in an act of self-recovery, hoping to understand her experiences as an undocumented immigrant. Starting over again in London, and then as a graduate student at Cambridge University, she asks questions of belonging, identity, selfhood, and survival in a memoir of emotional intelligence, clarity, and grace. RAVES AND REVIEWS: "Unblinking ... fierce...makes no effort to lull the reader into complicity...Damatac and her recipes are not here for your convenience..[they] serve as both escape and reminder, toggling between the ancient past of Indigenous myth, layers of colonial scarring, childhood, the present...This is not an easy memoir, nor should it be. Damatac writes, she says, 'to document myself into existence. And, as she says of some of her recipes, it will serve many." - The New York Times Book Review "Dirty Kitchen is not only an astonishing memoir—it is a bravura juggling act of genre, and a vivid testament to resilience. An absolute marvel." —Jose Antonio Vargas, Pulitzer Prize winner and bestselling author of Dear America: Notes of an Undocumented Citizen "Jill Damatac's fiery culinary memoir about growing up undocumented takes America to task...Dirty Kitchen is a fiercely honest, eye-opening view of one undocumented family's experiences trying to start over in a new world." —The San Francisco Chronicle “Part personal memoir, part cultural analysis, and all heart, Dirty Kitchen invites us into Jill Damatac's searing journey from decades of undocumented invisibility through the slow and recursive process of healing. Vulnerable and gripping, Damatac's debut explores what it means to reclaim one's life from the jaws of generational trauma and colonialism, while honoring the great ancestral gifts of Filipino heritage. Dirty Kitchen heralds the arrival of an unforgettable new talent.” —Qian Julie Wang, New York Times bestselling author of Beautiful Country “There's a blue fire to Jill Damatac's way with words. In Dirty Kitchen, history itself burns sapphire bright.” —Saeed Jones, author of Alive at the End of the World and How We Fight For Our Lives “Dirty Kitchen is a feast of many ingredients: at once a searing, heartfelt account of one undocumented family’s life, as well as a fierce, unflinching look at the indigenous and colonial history that seasons every meal. This is a book that knows that the root of the word ‘recipe’ is ‘to receive’—one that shows us, with profound resolve and tenderness, all the things we receive with every meal: every pleasure, every pain, every story, every ghost. A book to sate multiple hungers, that leaves its reader truly fed.” —Elaine Castillo, author of America Is Not The Heart “As nimble and bold as the dishes she describes, Jill Damatac confronts the intersectional cruelties of colonialism and patriarchy with an unflinching spirit. Damatac celebrates the resilience of Filipino food as an ingredient for healing passed down through the ancestors. Dirty Kitchen is a literary feast that sticks to your fingers like a sumptuous kamayan.” —Albert Samaha, author of Concepcion: Conquest, Colonialism, and an Immigrant Family’s Fate "Jill Damatac brings together myth and memory, history and hauntings, colonialism and catharsis and seats them around her table. Any reader of Dirty Kitchen is in for a feast when they pull up a chair." —Alejandra Oliva, author of Rivermouth: A Chronicle of Language, Faith and Migration