This highly anticipated follow-up to The Will of the Many—one of 2023’s most lauded and bestselling fantasy novels—follows Vis as he grapples with a dangerous secret that could change the course of history across alternate dimensions. OMNE TRIUM PERFECTUM. The Hierarchy still call me Vis Telimus. Still hail me as Catenicus. They still, as one, believe they know who I am. But with all that has happened—with what I fear is coming—I am not sure it matters anymore. I am no longer one. I won the Iudicium, and lost everything—and now, impossibly, the ancient device beyond the Labyrinth has replicated me across three separate worlds. A different version of myself in each of Obiteum, Luceum, and Res. Three different bodies, three different lives. I have to hide; fight; play politics. I have to train; trust; lie. I have to kill; heal; prove myself again, and again, and again. I am loved, and hated, and entirely alone. Above all, though, I need to find answers before it’s too late. To understand the nature of what has happened to me, and why. I need to find a way to stop the coming Cataclysm, because if all I have learned is true, I may be the only one who can.

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.

A young woman reorients her relationship to the world in the wake of sudden deafness in this mesmerizing debut novel for readers of Rachel Cusk, Clarice Lispector, and Fleur Jaeggy When the narrator of The Hearing Test , an artist in her late twenties, awakens one morning to a deep drone in her right ear, she is diagnosed with Sudden Deafness, but is offered no explanation for its cause. As the specter of total deafness looms, she keeps a record of her year—a score of estrangement and enchantment, of luck and loneliness, of the chance occurrences to which she becomes attuned—while living alone in a New York City studio apartment with her dog. Through a series of fleeting and often humorous encounters—with neighbors, an ex-lover, doctors, strangers, family members, faraway friends, and with the lives and works of artists, filmmakers, musicians, and philosophers—making meaning  becomes a form of consolation and curiosity, a form of survival.  At once a rumination on silence and a novel on seeing, The Hearing Test is a work of vitalizing intellect and playfulness which marks the arrival of a major new literary writer with a rare command of form, compression, and intent.