From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

From one of contemporary literature's most acclaimed and beloved authors comes this magnificent new novel set in a small town in Ireland in the 1960s, where a fiercely compelling, too-young widow and mother of four moves from grief, fear, and longing to unexpected discovery. Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.

In the cult classic novel Bunny, Samatha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences. When We Love You, Bunny opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story. One by one, they take turns holding the axe, and recount the birth throes of their unholy alliance, their discovery of their unusual creative powers—and the phantasmagoric adventure of conjuring their first creation. With a bound and gagged Sam, we embark on a wickedly intoxicating journey into the heart of dark academia: a fairy tale slasher that explores the wonder and horror of creation itself. Not to mention the transformative powers of love and friendship, Bunny. Frankenstein by way of Heathers, We Love You, Bunny is both a prequel and a sequel, and an unabashedly wild and totally complete stand-alone novel. Open your hearts, Bunny, to another dazzlingly original and darkly hilarious romp in the Bunny-verse from the queen of the fever-dream, Mona Awad.

A young gay man upends the lives of a powerful art-world couple in this steamy novel of self-discovery. It’s 2001, and twenty-four-year-old Gordon―handsome, sensitive, and eager for direction―takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him―and what he’s capable of doing in order to get it for himself. A lush, heart-quickening novel about family and art, sex and class, and the terror of self-discovery, Thomas Grattan’s In Tongues chronicles Gordon’s perilous pursuit of belonging from the Midwest to New York and, later, to Europe and Mexico City. As he floats further into Phillip and Nicola’s exclusive universe, and as lines blur between employee, muse, lover, and mentor, Gordon’s charm, manipulation, and growing ambition begin to escape his own control, in turn threatening to unravel the lives, and lies, of those around him. Anchored by winsome lyricism, glinting intellect, and a main character whose yearnings and mistakes come to feel like our own, In Tongues crackles with fierce longing and pointed emotion, further confirming Grattan as a rare chronicler of young adulthood’s joys and devastations.

A provocative novel about intimacy, love, and consent, following an increasingly obsessive radio host who tests boundaries she didn’t know existed Olive is desperate to get close to Theo—really, really close. She’s always struggled to connect with people. And now she’s in her thirties, single, and so flustered by relationships that she secretly records her conversations, hoping to decipher social clues and find a way to be less alone. Then Theo turns up for a shift at the same food pantry where she volunteers. He’s a surgeon fascinated by human organs, a former soccer player, and possibly as weird as Olive. For the first time, someone seems to crave and understand her. Every recording Olive makes of Theo is a balm, which just makes her more afraid of losing him. The only solution seems to be to bind him to her forever. Luckily, the gap between Theo’s front teeth is just wide enough for something—or someone—to slip inside. Arresting and immersive, Open Wide explores the boundaries of love and the body, as universal human impulses bleed into the surreal.

A wickedly clever satire uses comic inversions to offer telling insights into the nature of man and society. Nominated as one of America’s best-loved novels by PBS’s The Great American Read. Gulliver's Travels describes the four voyages of Lemuel Gulliver, a ship's surgeon. In Lilliput he discovers a world in miniature; towering over the people and their city, he is able to view their society from the viewpoint of a god. However, in Brobdingnag, a land of giants, tiny Gulliver himself comes under observation, exhibited as a curiosity at markets and fairs. In Laputa, a flying island, he encounters a society of speculators and projectors who have lost all grip on everyday reality; while they plan and calculate, their country lies in ruins. Gulliver's final voyage takes him to the land of the Houyhnhnms, gentle horses whom he quickly comes to admire - in contrast to the Yahoos, filthy bestial creatures who bear a disturbing resemblance to humans. This text, based on the first edition of 1726, reproduces all the original illustrations and includes an introduction by Robert Demaria, Jr, which discusses the ways Gulliver's Travels has been interpreted since its first publication. Jonathan Swift (1667-1745) was born in Dublin. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.