A fantasy adventure through Fae full of whimsy, magic, peril, and sapphic slow-burn friends-to-lovers—for fans of Sorcery of Thorns and Emily Wilde’s Encyclopedia of Faeries. All Magic Begins in Stories. That’s what Fae princess Hyacinth has always been told. As the unmagical daughter of Queen Mab, Hyacinth has never fit in at her mother’s court. She hopes that if she can learn more about her father, who disappeared fifteen years ago, maybe she can finally learn more about herself, too. When Hyacinth and her friend Chloe—a human stable hand trapped in Fae—sneak off to a riverside market, Hyacinth discovers a magical book sent to her by her father. Through the book, he reveals that he’s trapped inside a library at the heart of a treacherous labyrinth. With the help of Chloe and a tiny dragon named Coffee, the two friends defy Queen Mab’s orders and set off into the wilds of the Moonshadow Kingdom. Along the way they face bandits, magical creatures, a centuries-old human who has traded all his stories to the Fae, as well as their own growing feelings for each other. Neither is prepared for what awaits at the center of the labyrinth, sweeping them into a story that's more perilous than they ever imagined. A lush, fairy core, sapphic YA fantasy that returns readers to the Fae world introduced in Jamie Pacton’s bestselling novel The Absinthe Underground! Perfect for readers who love Sapphic Slow-Burn, Friends-to-Lovers, Grumpy/ Sunshine, Princess/ Lady Knight, Bodyguard Romance, Fae/ Human Relationships, Only One Bed, and Stories Are Magic!

In 1972, Martha "Marty" Goddard volunteered at a crisis hotline, counseling girls who had been molested by their fathers, their teachers, their uncles. Soon, Marty was on a mission to answer a question: Why were so many sexual predators getting away with these crimes? By the end of the decade, she had launched a campaign pushing hospitals and police departments to collect evidence of sexual assault and treat survivors with dignity. She designed a new kind of forensics tool—the rape kit—and new practices around evidence collection that spread across the country. Yet even as Marty fought for women's rights, she allowed a man to take credit for her work. When journalist Pagan Kennedy went looking for this forgotten pioneer, she discovered that even Marty Goddard's closest friends had lost track of her. As Pagan followed a trail of clues to solve the mystery of Marty, she also delved into the problematic history of forensics in America. The Secret History of the Rape Kit chronicles one journalist's mission to understand a crucial innovation in forensics and the woman who championed it. As Pagan Kennedy hunts for answers, she reflects on her own experiences with sexual assault and her own desire for justice.

It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life. The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,

In this nail-biting sequel to Tehlor Kay Mejia’s critically acclaimed fantasy novel We Set the Dark on Fire, La Voz operative Carmen is forced to choose between the girl she loves and the success of the rebellion she’s devoted her life to. Perfect for fans of The Handmaid’s Tale and Anna-Marie McLemore. Being a part of the resistance group La Voz is an act of devotion and desperation. On the other side of Medio’s border wall, the oppressed class fights for freedom and liberty, sacrificing what little they have to become defenders of the cause. Carmen Santos is one of La Voz’s best soldiers. She spent years undercover, but now, with her identity exposed and the island on the brink of a civil war, Carmen returns to the only real home she’s ever known: La Voz’s headquarters. There she must reckon with her beloved leader, who is under the influence of an aggressive new recruit, and with the devastating news that her true love might be the target of an assassination plot. Will Carmen break with her community and save the girl who stole her heart—or fully embrace the ruthless rebel she was always meant to be?

At the Medio School for Girls, distinguished young women are trained for one of two roles in their polarized society. Depending on her specialization, a graduate will one day run a husband’s household or raise his children, but both are promised a life of comfort and luxury, far from the frequent political uprisings of the lower class. Daniela Vargas is the school’s top student, but her bright future depends upon no one discovering her darkest secret—that her pedigree is a lie. Her parents sacrificed everything to obtain forged identification papers so Dani could rise above her station. Now that her marriage to an important politico’s son is fast approaching, she must keep the truth hidden or be sent back to the fringes of society, where famine and poverty rule supreme. On her graduation night, Dani seems to be in the clear, despite the surprises that unfold. But nothing prepares her for all the difficult choices she must make, especially when she is asked to spy for a resistance group desperately fighting to bring equality to Medio. Will Dani cling to the privilege her parents fought to win for her, or to give up everything she’s strived for in pursuit of a free Medio—and a chance at a forbidden love?

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Tomorrow, on the beach, Baru Cormorant will look up from the sand of her home and see red sails on the horizon. The Empire of Masks is coming, armed with coin and ink, doctrine and compass, soap and lies. They'll conquer Baru’s island, rewrite her culture, criminalize her customs, and dispose of one of her fathers. But Baru is patient. She'll swallow her hate, prove her talent, and join the Masquerade. She will learn the secrets of empire. She’ll be exactly what they need. And she'll claw her way high enough up the rungs of power to set her people free. In a final test of her loyalty, the Masquerade will send Baru to bring order to distant Aurdwynn, a snakepit of rebels, informants, and seditious dukes. Aurdwynn kills everyone who tries to rule it. To survive, Baru will need to untangle this land’s intricate web of treachery - and conceal her attraction to the dangerously fascinating Duchess Tain Hu. But Baru is a savant in games of power, as ruthless in her tactics as she is fixated on her goals. In the calculus of her schemes, all ledgers must be balanced, and the price of liberation paid in full.

Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

Visceral, gritty, and unforgiving, GRIEF EATER is a zombie story like you’ve never read before. When Kristina rises from her violent death, she’s not the same fragile woman her family once abandoned. She’s rageful, powerful, and hungry—for the blood of the ones who were supposed to love her. With a newfound craving to see vengeance and grief served, she launches into a once-in-an-undead-lifetime journey across blood-slicked highways to the scorched Australian bush and her hometown. As her body fails and her mind fractures, she’s left with one final question: Is she here to forgive, or to feed? A transgressive, gory examination of queer identity and found family, GRIEF EATER sinks its teeth into trauma and what it means to be devoured by grief. Advance Praise for Grief Eater “Grief Eater is a scathing rebuke. And yet it has so much heart. Every line of Osborne’s gorgeous prose is a knife that cuts like a balm. Lyrical, constantly surprising, essential—Grief Eater takes a familiar genre and transforms it into something entirely new.” —Cadwell Turnbull, award-winning author of the Convergence Saga “This story will not spare you. It will reach into your chest and eat your heart. Osborne writes with brutal clarity about abuse and betrayal, about the queer joy and chosen family that will help you survive it. About how love and a quest for vengeance can be strong enough to move the dead. I’ve never read anything like it.” —K Tidbeck, author of Amatka and Jagannath. “Grief Eater is an embodied, sensory experience: screaming, snarling grief; monstrous hunger; the desire for answers that can only be found in blood. Horror at its finest, as glorious, gory relief and release.” —Angela Meyer, author of Moon Sugar “Soaked in blood and loss, Grief Eater is a bittersweet tale that is redolent with the transformative closure that comes after confronting painful trauma. A visceral and unflinching read!” —Suzan Palumbo, author of Skin Thief: Stories and Countess